Archive for the 'Album Reviews' Category

27
Apr
08

“Moderate Rock”

Nirvana started one of their most violent radio unfriendly songs of all time with these ominous words, calling attention to just how surely you would never hear this song on FM Rock Radio during the prime drive time (or something, that’s a radio term, right?).

 

And the song really kicked ass.  It’s on In Utero but I can’t remember the title right now.  Add a comment to tell me if you know.  

 

It made a very effective point about the state of typical rock radio: really truly great rock music will rarely get played on it.  This has not changed as far as I know.  What gets played on the radio (and by extension played in movies, and car commercials, wins Grammy’s and winds up judging “Who Wants to be a Rock Star?”) is not as good as 90% of the music that’s out there.  Anyone who really cares to know about music will probably agree with this.  

 

Why? It’s pretty simple I guess, radio doesn’t want you to turn the dial. It doesn’t want to jar its listeners too much with anything that sounds too much unlike the last songs that were popular, so they maintain a certain homogeneity. This leads to a molasses like evolution in music when so much else in the musical landscape is evolving like fire.  

 

Typically, something breaks through.  A song that blends a style that has gotten popular despite having no radio play with an already accepted rock radio style and its a hit.  “Bring the Noise” – is that spelled with a “z”? – is the quickest example. Maybe “You gotta fight for your right to party” and some of that crap by Moby counts too. 

 

Or you get Nirvana, the kind of band that shouldn’t get played, but it’s just so good it somehow does.  This is why people celebrate this band so much.  I don’t listen to them much anymore because it’s a bit too much for my sensibilities these days (fancy way of saying I’m becoming a wuss), but when I was into them, they devastated me – in a good way.

 

I think of all this now because of a recent visit to the library.  (The library is the best place in the world, but more on that for a later post).  I took out a slab of radio rock that I thought would be that rare stuff that is both on the radio and good.  I’d heard good things and most were bands that I used to love.  I got “American Idiot” by Green Day, “Echoes, Silence, Patience, and Grace” by The Foo Fighters, and “Era Vulgaris” by Queens of the Stone Age.  I used to love both Green Day and especially Foo Fighters more; there would have been a time that I would have raced to get their albums a lot faster than a year or two later maybe picking them up at a Library.  Queen of the Stone Age, not so much but I’ve always known they’re cool.  A quick rank on quality: Queens is best by FAR, then Green Day then Foo is worst, also by far.  The thing that determines the scale is very simply blandness.  But why is it that now that The Foo Fighters have become the most oatmeal-bland of their career, they are selling the most amount of records.  I’m not blaming them in the slightest.  Well, maybe the slightest.  

 

It’s no surprise American Idiot did as well as it did. It’s a perfect little piece of rock in the form of catchy pop songs.  I think it might have something to do with the fact that I’m pretty sure I’ve heard a bunch of these songs before.  “American Idiot” sounds like “Leader of the Pack”,   about 2:25 into that big track 2 song sounds just like “Summer of ’69” and by about 6:40 it sounds like “Ring of Fire” by Johnny Cash.  This may be intentional, but it’s just frustrating to me.  

 

The Queens album is very good.  It’s genuinely groovy and hard.  Also, the band played least of the three on rock radio. I have no facts to back that up, but I’m POSITIVE it’s true.  So sad.

09
Apr
08

Elbow

Here’s a band that should be huge; not because they’re a big favourite, just because they have everything a huge band should have. They’ve got memorable choruses, pretty songs and they have a very good sense of grooviness.  The main guy sounds like Peter Gabriel back when he wrote actual pop songs.  They put SO much into their recordings; you just know there are layer upon layer of sounds going on on every track to create this big sound that would fit beautifully on FM rock radio.  This isn’t indie rock and it wasn’t recorded on ProTools quick and cheap.

They should be huge.  

Another thing about them – they write HUGE first tracks.  They’ve just released their 4th album and by now it’s officially a pattern.  Each album starts with the kind of track that if you were to listen to it in a store to decide whether or not to buy it, the first song should seal the deal.  That is exactly how I got into them – listening to “Ribcage” track one off their second album “Cast of Thousands”  The unfortunate part of the pattern they’re establishing is that the rest of the album never quite lives up to the HUGE first track.  The rest of the album is always good, but rarely as mind blowing as track 1.  

This is odd considering the lead singer is quite a proponent of the complete album as an art form (as opposed to the single), and is leading the charge to allow artists to choose whether their work can be bought as singles or must be bought as a complete record on itunes.  A noble fight, I suppose – one that other great rock bands suited to FM rock radio from the past would probably understand more than modern ones.

 

So, keep up the fight, and once you record a whole album as killer as your first track you’ll really have a compelling case.  Their latest is called “The Seldom Seen Kid” and it fits the bands pattern to a T. 

I went looking for an MP3 of one of their songs on line to include here but I couldn’t find one.  

Their MySpace page strangely has only relatively dull songs from each of their albums.  Why?

Failing that option, here’s a link to the media player they include on their web site.   Listen to “Starling” by clicking on one of the white squares on the rubics cube looking thing.  It’s the first track on their new album.

19
Mar
08

Stephen Malkmus – Real Emotional Trash

Real Emotional TrashThere’s a dicey thing in music called the “guilty pleasure.” I have many (you know what I’m talking about Lionel Richie) Stephen Malkmus is the opposite of a guilty pleasure. He oozes credibility and you can feel safely cool listening to him. He used to be the leader of indie rock royalty band Pavement for god’s sake and his solo stuff is essentially just new Pavement albums.

The thing that’s great about Malkmus is that while he has this credibility, his stuff still has the “pleasure” part of the “guilty pleasure” – singable choruses, good hooks, quirky little stories for lyrics, and really impressive playing. He’s finally got a really good drummer in Janet Weiss from the sadly broken up Sleater-Kinney to match his guitar playing.

A quick word about Malkmus as a guitar player: I hate guitar gods. Wanking show-offs on any instrument have always bored me to tears. The Joe Satrianis and Stevie Ray Vaughns of the world have always seemed to be enjoying themselves way more than anyone listening to them ever could. Malkmus is growing into a guitar god and there is a huge amount of wankery here – but it’s good. The difference is that with the Satriani, Vaughn type of guitar god stuff, you get the feeling that they’d like to accompany their solos by ripping their shirts off. It’s self aggrandizing and show-offy. At no point would Malkmus rip his shirt off. He usually wears a lovely collared shirt beneath a v-neck sweater for god’s sake. He’s from the good guy guitar god camp along with Doug Martsch from Built to Spill (we’ll talk about them soon.)

It’s a good album, and a grower so give it time. Listen to the song Cold Sun from the album here:




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